10/23/2023 0 Comments Shadow hills mastering compressorUse the library’s intuitive interface to find the right samples for your songs quickly. MEGA Sampler is a web-based sample library service designed to work with your digital audio workstation. Plugin Alliance has developed a sample player called MEGA Sampler, which features access to an online sample library. Top 11 Plugins On Plugin Alliance 2023 1. Maor Appelbaum Mastering & Hendyamps THE OVEN Now, without further ado, let’s check out eleven of the best plugins Plugin Alliance has to offer. You can find information regarding sales from various social media pages that keep track of them. So, when purchasing from Plugin Alliance, it’s a great idea to hunt and wait for sales, especially during end-of-year, black Friday, summer sale, and so on. While there are plenty more to discover, I think these eleven are some of the must-have and renowned plugins released by Plugin Alliance.Īnother thing I must note is that Plugin Alliance often has ongoing sales where you can find a plugin retailing at $299 for as little as $29.99. At the end of the list, you’ll find five free plugins as well. This list covers only one instrument, with the rest being compressors, EQs, channel strips, and so on. With that said, in this list you will discover the best plugins on their website! Kudos goes to the developers involved here.Plugin Alliance is a brand that partners with plugin developers to create a family of effect plugins and instruments widely compatible with most DAWs. But as a master bus compressor, with a lot of character and a lovely interface, with little to distract you from the functionality, I would say this is a testament to both the original hardware design, as well as Brainworx’s ability to create a great sounding and attractive plugin. Without the original to compare, I cant say how exactly this matches up as a digital clone. The Iron and Steel settings seemed more chunky in this regard and imparted a bit more character, which suited the techno tracks I was testing very nicely! On some ambient material, the Nickel setting worked really well and sounded really smooth and classy, but when I ran some more beat-orientated music through Nikel, I wasn’t so keen. To be honest, I had to look up what these referred to as I had no idea, but I could certainly hear the difference. What surprised me the most is the output transformer modelling, where you can choose between Nickle, Iron and Steel. To be honest when it comes to using mastering plugins on my own tracks, I tend to lean towards using a light combination of simpler tools (like the optical comp section here) that sound good and gravitate toward dynamic processors with a greater degree of control on individual instrument tracks during the mixdown stage, but that’s just my personal preference. The discrete section takes a more ‘modern’ approach, with a greater degree of control over ratio, attack, recovery and gain. This sounded great on the different source material I tested it on (some ambient and some techno tracks) and had a noticeably pleasing curve to how the volume recovers from attenuation. The optical comp has that classic two knob control for threshold and gain parameters and works nicely for just running over the entire mix with the compressor just working at a few db of reduction. Once I had that sussed, things became a lot more fun! There is a switch to change the display to represent either the optical, discreet or output levels (duh). On my first venture with the plug-in, it took me a minute to realise why the VU (Very Useless?) were not representing what I was doing. Firstly, noticing it has both stereo optical and discrete processors on board, I can start to imagine the interesting combinations of tones you can coax with this thing. It’s designed to be used on a master bus, as these things tend to be and is said to be extremely musical and versatile. I’d be lying if I said I had tried the hardware counterpart of the Shadow Hills Mastering Compressor, but I have heard their GAMA mic pre in person.Īnyway, back to the mastering comp. Always noticeable when in a rack, especially when alongside more vintage pieces, it’s got a kind of death star technology vibe going on. The Shadow Hills gear definitely has a visual aesthetic of it’s own. Definitely one of the nicer software GUIs I’ve seen in a while
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